Paradise Kiss : Review
Title: Paradise Kiss aka ParaKiss
Genre: Romance/Drama
Company: Madhouse
Studios/Fuji TV
Format: 12
episodes
Date: 13
Oct 2005 – 29 Dec 2005
Synopsis: Hayasaka Yukari is an average high
student in a prestigious high school who spends her life listening to her
parents and going to school. One day, she comes across an unusual group of
fashion design students, who just so happens to believe that she is the perfect
model for their clothing line ‘Paradise Kiss’. Yukari initially refuses but
soon join them due to their kind demeanor. Her decision later becomes a wake-up
call of her own dreams in her life of whether to continue listening to her
parents’ wishes or pursue her own ambitions.
The Highlights
Soundtrack: Amazingly
groovy selection of unique music styles.
Premise: Teenage
drama with a touch of unconventionality made right.
Fashion
statement: For the fashionistas, by the
fashionista Yazawa
Ai herself.
With so
many anime titles that simply entertain the viewers with cheap fan service and
the typical through-the-roof shounen action, it’s no easy feat to find an anime
suited for teenagers with a discerning taste. To put it simply, teenage-based
anime don’t often emerge from the majority of conventional titles that are made
mostly for testosterone-induced male viewers and those with an insatiable
amount of guilty pleasure. The year 2005 saw the arrival of Paradise Kiss,
an anime that grabs the word ‘convention’ by the throat and flings it over a
cliff.
Those who
have the habit of scanning through the names of those behind Paradise Kisswill
be glad to know that the anime is based on the manga of the same name written
none other by Yazawa
Ai. Sounds familiar? It should, especially with the stellar success of her
later romance/drama winner NANA. This show is a shout out for all
fashion-breathing fans because Yazawa carefully
uses the idea of fashion to drive the plot rather than drown it. The fashion
world of Paradise Kiss is
enlivened even more with the unconventional use of real-life still images for
different aspects of the series.
Speaking
of artwork, this is something one doesn’t see in many other series. Rather than
beautifying the screen with CG effects and meaninglessly gorgeous backgrounds,
the artwork basically focuses on the most important aspect of the series – the
characters themselves. From a twitch of an eyebrow to the stress lines of
despair, simple but significant body languages are magnified through artwork,
more than words can describe. Intentional art deformities, synonymous with
anime, unnecessarily blemish the earlier episodes though.
Another
familiar name behind ParaKiss is
director Osamu
Kobayashi, who last worked on the exceptional BECK: Mongolian Chop
Squad. Those who have watched BECKshould realize the similar trademarks carried
forward in ParaKiss –
the still moments, fade-through scene transitions and the occasional silent
setting, just to name a few. His idiosyncratic approach to characterization
works marvelously in ParaKiss,
but those moments where you feel like something’s missing, which makes a number
of moments feel awkward. It’s hard for me to explain; it’s something one can
understand only by watching it.
Since ParaKiss epitomizes
the idea of ‘unconventionality’, it comes as no surprise that not all viewers
will take a liking to the series. For one, younger viewers will probably not
like it due to some sexual content and mature theme. For the rest though, this
is one anime that shows you that a different approach to the usually weak
romance/drama theme can work wonders. To all fashionistas and music junkies out
there, I want to holler out: ParaKiss is your ideal series.




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